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@ -3,22 +3,22 @@ Every article in [our “Choosing type” section](/module/choosing_type) aims t
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We’ll start off with the checklist itself—which is also [available on GitHub](https://github.com/elliotjaystocks/choosing-type-checklist/blob/main/checklist.md)—and then spend some time diving into each part of it.
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1. The typeface suits the purpose of the project
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a. Its personality will prompt the appropriate emotional response(s) from our audience
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b. Its design fits the intended use
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1. Its personality will prompt the appropriate emotional response(s) from our audience
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2. Its design fits the intended use
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2. The typeface’s design is comprehensive
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a. It has enough multi-language support
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b. It contains legible details
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c. It has at least the basic weights and styles
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d. Even better: It has alternate glyphs
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e. Even better: It has additional weights and styles (or grades)
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f. Even better: It has multiple widths
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g. Even better: It has different optical sizes
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1. It has enough multi-language support
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2. It contains legible details
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3. It has at least the basic weights and styles
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4. Even better: It has alternate glyphs
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5. Even better: It has additional weights and styles (or grades)
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6. Even better: It has multiple widths
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7. Even better: It has different optical sizes
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3. The font files are reliable
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a. All of the design features checked above are actually included in the font files being used
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b. The fonts are properly spaced
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1. All of the design features checked above are actually included in the font files being used
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2. The fonts are properly spaced
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4. The fonts are usable in the situation(s) required
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a. If serving as a secondary typeface to a primary choice, there’s a suitable balance between distinction and harmony
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b. We have, or our client has, the appropriate font license(s)
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1. If serving as a secondary typeface to a primary choice, there’s a suitable balance between distinction and harmony
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2. We have, or our client has, the appropriate font license(s)
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Let’s explore each item on that list in a little more depth.
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