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Update DESCRIPTION files for deprecated families (#693) (#697)

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sapics 2017-03-14 00:59:13 +09:00 committed by Dave Crossland
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6 changed files with 7 additions and 1 deletions
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ofl/alefhebrew/DESCRIPTION.en_us.html
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<p>This project was renamed <a href="https://fonts.google.com/specimen/Alef">Alef</a> with graduation from Early Access</p>
<p>
Alef is an open source multiscript webfont that supports both Latin and Hebrew.
Alef was born in the screen and designed to the pixel in an attempt to extend the palette of Hebrew fonts available for web design and especially to challenge the only default - "Arial".

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ofl/misssaintdelafield/DESCRIPTION.en_us.html
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<p>This project was renamed <a href="https://fonts.google.com/specimen/Mrs+Saint+Delafield">Mrs Saint Delafield</a></p>
<p>The Charles Bluemlein Script Collection is an intriguing reminder of the heady days of hand lettering and calligraphy in the United States. From the early 1930s through World War II, there were about 200 professional hand letterers working in New York City alone. This occupation saw its demise with the advent of photo lettering, and after digital typography it became virtually extinct. The odd way in which the Bluemlein scripts were assembled and created - by collecting different signatures and then building complete alphabets from them - is a fascinating calligraphic adventure. Because the set of constructed designs looked nothing like the original signatures, fictitious names were assigned to the new script typefaces. The typeface styles were then showcased in Higgins Ink catalogs.</p> <p>Alejandro Paul and Sudtipos bring the Bluemlein scripts back to life in a set of expanded digital versions, reflecting the demands of today’s designer. Extreme care has been taken to render the original scripts authentically, keeping the fictitious names originally assigned to them by Bluemlein.</p>

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ofl/mrbedford/DESCRIPTION.en_us.html
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<p>This project was renamed <a href="https://fonts.google.com/specimen/Mr+Bedfort">Mr Bedfort</a></p>
<p>The Charles Bluemlein Script Collection is an intriguing reminder of the heady days of hand lettering and calligraphy in the United States. From the early 1930s through World War II, there were about 200 professional hand letterers working in New York City alone. This occupation saw its demise with the advent of photo lettering, and after digital typography it became virtually extinct. The odd way in which the Bluemlein scripts were assembled and created - by collecting different signatures and then building complete alphabets from them - is a fascinating calligraphic adventure. Because the set of constructed designs looked nothing like the original signatures, fictitious names were assigned to the new script typefaces. The typeface styles were then showcased in Higgins Ink catalogs.</p> <p>Alejandro Paul and Sudtipos bring the Bluemlein scripts back to life in a set of expanded digital versions, reflecting the demands of today’s designer. Extreme care has been taken to render the original scripts authentically, keeping the fictitious names originally assigned to them by Bluemlein.</p>

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ofl/siamreap/DESCRIPTION.en_us.html
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<p>This is the old holding font name for Siemreap.</p>
<p>This project was renamed <a href="https://fonts.google.com/specimen/Siemreap">Siemreap</a></p>

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ofl/terminaldosis/DESCRIPTION.en_us.html
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<p>This project was renamed <a href="https://fonts.google.com/specimen/Dosis">Dosis</a></p>
<p>Dosis is a rounded sans-serif type family. It started with the Extra Light style, useful only at size 36pt or upm and the Extended Latin character set included many alternative characters, all designed by Edgar Tolentino and Pablo Impallari.</p> <p>Dosis was expanded into a complete set of weights in September 2011.</p>

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ofl/terminaldosislight/DESCRIPTION.en_us.html
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<p>This project was renamed <a href="https://fonts.google.com/specimen/Dosis">Dosis</a></p>
<p>Terminal Dosis Light is a really really light, almost hairline, sans-serif rounded font. In fact, it's so light she only wants to be used at 36pt or up. She also includes many alternative characters, all designed by Edgar Tolentino and Pablo Impallari.</p>