@@ -33,37 +33,37 @@ What are the basic primitives of a visual language? There aren’t any completel
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3434So we started by collecting influences.
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36−<iframe class="arena-iframe" width="100%" src="https://www.are.na/tlon/seal-zp3irwad52y/embed"></iframe>
36+{% iframe src="https://www.are.na/tlon/seal-zp3irwad52y/embed" className="arena-iframe" width="100%" /%}
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3838The ‘chop’ or [seal](<https://en.wikipedia.org/wiki/Seal_(East_Asia)>) is conceptually pretty close to what we wanted to get to.
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42−<iframe class="arena-iframe" width="100%" src="https://www.are.na/tlon/kamon/embed"></iframe>
42+{% iframe className="arena-iframe" src="https://www.are.na/tlon/kamon/embed" width="100%" /%}
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4444[Kamon](<https://en.wikipedia.org/wiki/Mon_(emblem)>) are even closer — especially since they have very little visual complexity.
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48−<iframe class="arena-iframe" width="100%" src="https://www.are.na/tlon/grids-jd_xbmspxkm/embed"></iframe>
48+{% iframe className="arena-iframe" src="https://www.are.na/tlon/grids-jd_xbmspxkm/embed" width="100%" /%}
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5050We also spent a good amount of time with both Anni Albers and Agnes Martin. Both of these painters had an incredible mastery of the grid as a means of creating engaging visual work. These paintings all have a wonderful tension between an underlying system and their specific expression.
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54−<iframe class="arena-iframe" width="100%" src="https://www.are.na/tlon/stella-xfroicotm_4/embed"></iframe>
54+{% iframe className="arena-iframe" src="https://www.are.na/tlon/stella-xfroicotm_4/embed" width="100%" /%}
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5656Frank Stella is a master at producing incredibly dynamic work from only a few elements. His ability to create a sense of depth from simple overlapping elements is fantastic.
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60−<iframe class="arena-iframe" width="100%" src="https://www.are.na/tlon/ledoux-palladio/embed"></iframe>
60+{% iframe className="arena-iframe" src="https://www.are.na/tlon/ledoux-palladio/embed" width="100%" /%}
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6262The plans of both Ledoux and Palladio are incredibly dynamic. They’re mostly gridded, use only a few elements, and use lots of symmetry — but they’re at once distinct, engaging, and fresh.
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66−<iframe class="arena-iframe" width="100%" src="https://www.are.na/tlon/flags-k9moxiayuvq/embed"></iframe>
66+{% iframe className="arena-iframe" src="https://www.are.na/tlon/flags-k9moxiayuvq/embed" width="100%" /%}
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6868Another influence: international maritime signal flags. We like these not only because of their striking visual qualities, but also because they correspond with a letter system, just like our sigils. Each one conveys useful information; for example, “Keep clear of me; I am maneuvering with difficulty,” a flag we all feel like raising from time to time. This influence was key to the idea that pairing symbol to phoneme was a possibility.
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