This is using the existing attributes on the lines and rendering
the lines with doubled dimensions.
Selection on double width lines is a bit wonky because we don't
know how to translate the column position correctly.
This allows unicode_version to be respected again when rendering.
The updated emoji-presentation.sh script now highlights this slightly
better by putting `.` characters after the emoji; unicode version 14
emoji presentation will show the `.` in the 3rd column, while earlier
versions will show it in the 2nd column for glyphs that are sensitive
to the version.
refs: #1607
refs: #1563
Not all codepoints are valid when combined with a presentation
selector.
This commit ensures that we respect the valid sequences defined
by the current version of unicode (version 14).
refs: #1231
refs: #997
This is a fairly far-reaching commit. The idea is:
* Introduce a unicode_version config that specifies the default level
of unicode conformance for each newly created Terminal (each Pane)
* The unicode_version is passed down to the `grapheme_column_width`
function which interprets the width based on the version
* `Cell` records the width so that later calculations don't need to
know the unicode version
In a subsequent diff, I will introduce an escape sequence that allows
setting/pushing/popping the unicode version so that it can be overridden
via eg: a shell alias prior to launching an application that uses a
different version of unicode from the default.
This approach allows output from multiple applications with differing
understanding of unicode to coexist on the same screen a little more
sanely.
Note that the default `unicode_version` is set to 9, which means that
emoji presentation selectors are now by-default ignored. This was
selected to better match the level of support in widely deployed
applications.
I expect to raise that default version in the future.
Also worth noting: there are a number of callers of
`unicode_column_width` in things like overlays and lua helper functions
that pass `None` for the unicode version: these will assume the latest
known-to-wezterm/termwiz version of unicode to be desired. If those
overlays do things with emoji presentation selectors, then there may be
some alignment artifacts. That can be tackled in a follow up commit.
refs: #1231
refs: #997
We now compute the cap-height from the rasterized glyph data.
Moved the scaling action of use_cap_height_to_scale_fallback_fonts from
glyphcache into the font resolver: when enabled, and we have data
about the baseline font and the font being resolved, then the resolving
font will be scaled such that the cap-height of both fonts has the same
pixel size.
The effect of this is that `I` glyphs from both fonts should appear to
have the same height.
Added a row of `I`'s in differing styles at the bottom of styles.txt
to make this easier to visualize.
refs: #1189
This commit annotates fonts with a boolean that indicates whether
we think it contains glyphs with emoji presentation, and then
passes the cluster.presentation field down to the shaper.
If the presentation doesn't match the current font in the fallback,
then it will be skipped until we exhaust its options.
`wezterm ls-fonts` also shows whether we think a font has emoji
presentation.
refs: #997
This isn't complete; many of the placement options are not supported,
and the status reporting is missing in a number of cases, including
querying/probing, and shared memory objects are not supported yet.
However, this commit is sufficient to allow the kitty-png.py script
(that was copied from
https://sw.kovidgoyal.net/kitty/graphics-protocol/#a-minimal-example)
to render a PNG in the terminal.
This implementation routes the basic image display via the same
code that we use for iterm2 and sixel protocols, but it isn't
sufficient to support the rest of the placement options allowed
by the spec.
Notably, we'll need to add the concept of image placements to
the data model maintained by the terminal state and find a way
to efficiently manage placements both by id and by a viewport
range.
The renderer will need to manage separate quads for placements
and order them by z-index, and adjust the render phases so that
images can appear in the correct plane.
refs: #986
Also fixes an issue where only the first frame schedule would
take effect! Surprised this didn't bubble up as a bug with
animated gifs already.
refs: #133
This commit introduces the knowledge about whether a font is
scalable or was using bitmap strikes (eg: color emoji bitmaps).
Then that information is used to help figure out whether and
how to scale a glyph.
refs: https://github.com/wez/wezterm/issues/685
As explained in the docs included in this commit, ideally this
wouldn't be needed, but due to a long-standing hinting bug in
freetype <https://gitlab.freedesktop.org/freetype/freetype/-/issues/761>
it seems most expedient to just render our own block glyphs,
so that's what this does!
refs: #433
This is one of those massive time sinks that I almost regret...
As part of recent changes to dust-off the allsorts shaper, I noticed
that the harfbuzz shaper wasn't shaping as well as the allsorts one.
This commit:
* Adds emoji-test.txt, a text file you can `cat` to see how well
the emoji are shaped and rendered.
* Fixes (or at least, improves) the column width calculation for
combining sequences such as "deaf man" which was previously calculated
at 3 cells in width when it should have just been 2 cells wide, which
resulted in a weird "prismatic" effect during rendering where the
glyph would be rendered with an extra RHS portion of the glyph across
3 cells.
* Improved/simplified the clustering logic used to compute fallbacks.
Previously we could end up with some wonky/disjoint sequence of
undefined glyphs which wouldn't be successfully resolved from a
fallback font. We now make a better effort to consolidate runs of
undefined glyphs for fallback.
* For sequences such as "woman with veil: dark skin tone" that occupy a
single cell, the shaper may return 3 clusters with 3 glyphs in the
case that the font doesn't fully support this grapheme. At render
time we'd just take the last glyph from that sequence and render it,
resulting in eg: a female symbol in this particular case. It is
generally a bit more useful to show the first glyph in the sequence
(eg: person with veil) rather than the gender or skin tone, so the
renderer now checks for this kind of overlapping sequence and renders
only the first glyph from the sequence.
